After some scary basement adventures, where breathing is pretty much torture, we returned upstairs, picked up a few short scenes in the kitchen, the model’s bedroom, a brief flashback or two, and moved on to another major scene, a scene in the pool room.
Now, the immediate insanity of such a scene is that maintaining continuity of table play while characters are conversing and playing pool is virtually impossible. Maybe just plain impossible. It would be an entire day (or multi-day project) to make this scene work with full continuity, etc. The immediate decision was to not worry about continuity of the pool balls in the scene.
The original idea was to move the camera quite a lot around the room and shoot from both sides and different angles, but the existence of a gigantic mirror in the room, our extremely tight shooting schedule, and a desire to keep the viewer very participant-centric (as mentioned on Day 2) made that undesirable and thus made this a relatively easy scene to shoot, but will make it an extremely hard scene to edit. At first, I had planned to resort to a lot of insert shots of balls bouncing around and going into pockets to hide same-perspective cuts, but I realized how much I would hate that as a product of this shoot ultimately. I think the close-ups will feel different enough to make it work for the viewer.
Ultimately, throwing in inserts of balls feels like a lazy, obvious technique. I’d almost prefer that the cuts remain a little uncomfortable over using b-roll junk action to cover that lack of perspective angle change. Believe it or not, these are some of the most difficult types of shooting decisions to make in advance. As we have no chance to redo anything, I can’t change my mind on this one. I think it will be what I prefer. Undoubtedly, some others might have preferred more “junk” inserts.
To end the day, we shot a few more short shots including several characters walking in and out of the bathroom (to go with the bathroom shots on Day 2). If you don’t think about film-making too much, you may not realize that sometimes these exteriors (like the bathroom exterior here) don’t match the interior rooms at all. In fact, the bathroom shoot on Day 2 utilized characters entering from what appeared to be a door to the hallway, but was actually a bathroom closet. So, we had to find a door that moved in a way that matched the movement of that closet door.
We also shot a closeup of Dalya crying after the events shot on Day 2, an insert shot of a squished fly falling onto a table.
Molly Carlisle is not only great at telling you which animals you may eat, but also when put to the task of finding a dead fly, she does not return empty handed (i.e., we did not kill the fly for the movie)!
The TEN days of shooting:
Day 1, December 4, 2012 – Wingaersheek Beach – Gloucester, MA
Day 2, December 6, 2012 – Beach Mansion – Barrington, RI
Day 3, December 7, 2012 – Beach Mansion – Barrington, RI
Day 4, December 8, 2012 – Beach Mansion – Barrington, RI
Day 5, December 9, 2012 – Beach Mansion – Barrington, RI
Day 6, December 10, 2012 – Beach Mansion – Barrington, RI
Day 7, December 11, 2012 – Beach Mansion – Barrington, RI
Day 8, December 12, 2012 – Beach Mansion – Barrington, RI
Day 9, December 13, 2012 – Beach Mansion – Barrington, RI
Day 10, December 14, 2012 – https://mjeml.michaeljepstein.com/ – Somerville, MA
Extra Inserts/Pickups Day, March 3, 2013 – Sophia Cacciola’s House of Wax – Somerville, MA