2016 was a year of big changes for us!
The biggest being that we left our many-year home Boston for Los Angeles. You can read about why we chose to move here.
We headed out in the Summer and went on a cross-country adventure. We took what we could fit in our van, visited family, Gen Con, and saw the Southwest for the first time!
We have also maybe stalked Jeff Goldblum a little since coming here!
Besides getting photos with JG, here’s what we worked on all year…
Blood of the Tribades had a great year.
The release hasn’t been without hiccups. We got banned in Japan and placed under an archaic “mature” label on Amazon for insisting that male-nudity should be treated the same as female nudity. Amazon disagrees.
We also had the honor of having our special exclusive grindhouse extended trailer for the film included on the anthology, Grindsploitation 2.
We recorded a bunch of lipsyncs for Kickstarter backers!
Some of our festival visits…
Here’s a great review from The Outre Eye of Daniel VIII, “…MAGNETIC is what low budget genre film making should be; unique, challenging, and over flowing with big ideas, money limitations be damned. For the same cost as your now bog-standard 80’s slasher throwback, these folks have created an entire world unto its own, populated by bizarre characters, a near fetishistic infatuation with outdated technology, and rad concepts the likes of which you have never seen before…”
Weekend Vampire (Watch – IMDb)
This was a short created by Sophia with Allix Mortis, star of Magnetic, for the Women in Film / Flicks4Chicks contest. It won two awards at the fest: Best Comedy (as chosen and presented by the Women in Comedy Festival) and Best Costumes! You can watch Weekend Vampire free for subscribers (or with ads otherwise) on Amazon Prime!
Thirteen is also available for free on Amazon Prime! Thirteen was commissioned by the Boston Museum of Fine Arts for a show about Friday the 13th. The film was written and directed by Sophia and starred Sophia and her mother. It explored dreams and the push and pull of dream forces trying to possess the dreamer’s mind. It is very gothic and has a lot of skeleton keys.
We won awards for Best Use of Prop, Best Costumes, Best Special Effects, and the Retro 48 Award (for using lines, character names, and props from all the previous Boston 48s we had done!) and Sophia was nominated for Best Actress for her very wise owl!
Thanks to our friends at Without Your Head Horror, we got to go on the press day for Phantasm RaVager, and we got to interview Phantasm (one of our all-time favorite movies/franchises) cast and crew to discuss what the film series means and how it has evolved over the years.
Work on Other People’s Films
Sophia and Michael had the pleasure of interviewing John Sox (of The F.U.’s and Straw Dogs) last year for The Return of the Living Dead collector’s edition Blu-ray bonus featurette Party Time! The Music of Return of the Living Dead.
The Straw Dogs song “Young, Fast Iranians” appears in the film as the radio track at the introduction of the gang of punks, a pretty iconic moment in the film.
We shot a little tiny bit of b-roll for Traceroute
Sophia had some fun taking on camera work as a main interest and has already worked on a few features since moving to LA!
First, she went off to the mountain town of Idyllwild, CA for two weeks to be a camera operator on a haunted house/satanic possession film called, Wiles.
She also went off to Roswell, NM for three weeks to be assistant camera on an alien film called, Astro!
Photo: Sophia with stuntman, Dave Reaves on the set of Astro. Photo by Felix Sauermann
This year, we interviewed Gail Ann Dorsey (David Bowie, Lenny Kravitz), Patty Schemel (Hole), Allison Wolfe (Bratmobile), Phranc, Alice de Buhr (Fanny), Kira Roessler (Black Flag), Kat Arthur (Legal Weapon), Mish Barber-Way (White Flag), Michelle Gonzales (Spitboy). Sophia also cut together teasers from some of our previous interviews, Lydia Lunch, Alice Bag, JD Samson.
This music went much more into the electro territory than our previous work.
Vanyaland wrote, “And as a parting gift, they’ve delivered maybe the best bit of music in either’s career here. The three-song In The Village EP is a departure from the pound-n-ground doom rock Do Not Forsake Me are known for; and instead opts for a darker, more hypnotic and mechanical brand of minimalized electronic-pop that’s seductive, smoky and full of loud empty spaces. There’s also a grinding cover of Loverboy’s ’80s hit “Working For The Weekend,” a grim, menacing rendition that borders on the industrial and feels like a Gary Numan and Nivek Ogre hybrid delivering downtempo brilliance in the verses. It’s also missing its famed chorus, and that’s by design.”
We also played a bittersweet final Boston show at the Middle East Downstairs. Coming up in 2017 we’ve been invited to be guests at PrisonerCon in Seattle in September- it’s a whole weekend celebrating the 50th Anniversary of The Prisoner! We’ll play multiple shows and be on hand all weekend.
Sophia (on bass) joined Catherine Capozzi and Tamora Gooding in a temporary grindhouse garageband for the apocalyptic burlesque musical the Spider Cult! Here’s the soundtrack!
MJEML were part of the final year of The Encyclopedia Show Somerville (here’s a write-up of the show), someday we’ll finish and release all of the crazy songs we wrote for that show!
Amylee appeared in the background of Player Style Files on CBS!
Back in 2011, the Library was part of a documentary made by Berklee Pulse that followed several bands through the process of making a song, from nothing to jamming to the studio to playing it live! It’s a super interesting inside peek into the process, and it was finally just released!
Crowdfunding sites such as Kickstarter, Indiegogo, and GoFundMe can not only help you raise money to fund your idea or cause, they can also help you establish a community of enthusiastic supporters. This crowdfunding book will show you how. Preorder it now for delivery on March 13!
I had mentioned in my first article that the best way to learn about making low-budget films is to look at successful low-budget films. One of the things I learned from watching many, many Roger Corman movies, was that shots were often reused in film after film.
PLOS ONE published the findings (full text available, open access) Additional Press: Wall Street Journal, Scientific American, ABC Action News, ASHA, Medical Daily, Science Daily, Neuroscience News, Pubniche, EurekAlert, Agein, Psypost, Ooyuz, Audiology World News, The Herald (UK), Express (UK), Hearing Like Me, The Doctor Will See You Now, Third
Podcasts / Interviews
My guests for Episode 5 are filmmakers and musicians Michael J Epstein and Sophia Cacciola, who have been working at the hellish pace of writing, producing, and directing one horror film a year for the past three years.